Journal of Contemporary Drama in English

FeArt and Dance-xiety in Nature Theater of Oklahoma’s Pursuit of Happiness: Artificiality, Authenticity and Fun as the Building Stones of a Hopeful Performative

“Who Would Disagree that in a World of Trump and Putin and Boris Johnson ... Brecht Is Not the Theorist and Playwright of Our Times?”: Bertolt Brecht’s Influence on David Greig’s Work

The Ethics of Participation and Participation Gone Wrong

Approaches to Play Directing in Contemporary Nigerian Theatre: A Study of Segun Adefila and Bolanle Austen-Peters

Wellesley Girl: Emotion, Democracy, and the Contemporary Dystopia

Terror by Candlelight: The Affective Politics of Fear in Tanika Gupta’s Lions and Tigers

The Repulsive Other in Tim Crouch’s I, Malvolio (2010)

Spoken Like a Gentleman: The Burden of the Voice in An Anonymous Woman’s MANWATCHING and Gary McNair’s Locker Room Talk

Fear and Anxiety in Contemporary Drama and Performance: An Introduction

Anxieties in Irish Theatre

The Blakean Imagination and the Land in Jez Butterworth’s Jerusalem

Catastrophic Futures: Tragic Children in Martin McDonagh’s The Pillowman

“There is No Proof”: Fermat’s Last Theorem and Historical Reconstruction in Tom Stoppard’s Arcadia

Masters (and Mistresses) of Menace