JOURNAL OF THE AMERICAN INSTITUTE FOR CONSERVATION

Short-wave infrared reflectance hyperspectral imaging for painting investigations: A methodological study

Revealing Degas’s process and material choices in a late pastel on tracing paper with visible-to-near-infrared reflectance imaging spectroscopy

The role of agar gel in treating water stains on acrylic paintings: Case study of Composition, 1963 by Justin Knowles

Seeing the light: Research, conservation and exhibition of a 1980s daylight fluorescent painted leather jacket designed by Sprouse and painted by Castronovo

An easy-to-use method for preparing paint cross sections

Applying conservation ethics to the examination and treatment of software- and computer-based art

The Chiaroscuro Woodcut in Renaissance Italy

Editorial

The case of the hydrating hydra: Examination and treatment of a Blaschka glass invertebrate model

Potential substitutes for discontinued poly(vinyl acetate) resins used in conservation

A John White Alexander painting: A comparison of imaging technologies for resolving a painting under another painting

On the origins of Alois Riegl’s conservation theory

Understanding and improving gender equity in conservation

Meeting by accident: selected historical bindings

Collecting collections: Negotiating material value at the National Park Service*

The blues of Jan de Bray’s Judith and Holofernes: A technical study of two blue pigments and its impact on treatment