Theatre Dance and Performance Training

Training the homo cellularis: attention and the mobile phone

InstaStan – FaceBrook – Brecht+: a performer training methodology for the age of the internet

Gender representation in circus arts: a case study

Cultural transmission of actor training techniques: a research project

Scaffolded learning: a model of historically informed performance practice and action research in Rehearsing Shakespeare

The act of listening: Gardzienice’s mutuality practice and the ACTing Voice

Future: an anamnesis of voice

Singing bodies: reconsidering and retraining the corporeal voice

Support: birthing the voice

Stanislavsky and Yoga

Stanislavsky and Yoga

Editorial

The trainee speaks: the potential role of the blog in training discourse

Notes on Contributors

Pitch and gender in voice training: new methodological directions

Editorial: what is new in voice training?

The confidence trick?

Speech-language pathologists with a vocal music background: exploring impact on the training of the transgender voice

Complete vocal fitness: a singer’s guide to physical training, anatomy, and biomechanics

Becoming robot through voice: training in artificial voices

Notes on Contributors

Actor training for motion capture: filling the void with voice and body

Between preservation and renewal: reconsidering technology in contemporary pansori training

Answer the Question

The actor’s other sound

‘Next year’s words await another voice’1: British Sign Language and voice work with D/deaf actors at the Royal Conservatoire of Scotland

ZU-UK – training for interactive performance

Tenderness as strength in vocal development

Obituary

Towards an ‘ever more wordly sensitive interface’: the affective turn and site-based and participatory performance training – a practice-led perspective

Web review

Warming up/cooling down: managing the transition on and off stage

Embodied correspondences with the material world: Marcel Jousse’s ‘laboratory of the self’ as a force for creative practice in performer training

Trained melody

A History of Japanese Theatre (1st edition)

Answer the Question

Designing performer training: digital encounters with things and people

Meditations on Acting: Essays on Theory, Practice and Performance

Training the analytical eye: video annotation for dance

Devisers in the dark: reconfiguring a material voice practice

Embodying fairy tales: composition training in narrative, image, and performance*

Vocal Empowerment Curriculum for young Maya Guatemalan women