The Mote in God’s i : Fourier, Fractals, and Imaginary Numbers in Tom Stoppard’s Arcadia
来源期刊:Modern DramaDOI:10.3138/MD.0936R
“Kno’ You’re Wally”: Reinventing Slavery, Family, and Nation in Pauline Hopkins’s Peculiar Sam, or The Underground Railroad
来源期刊:Modern DramaDOI:10.3138/md.s1019r
Sweating Tennessee Williams: Working Actors in A Streetcar Named Desire and Portrait of a Madonna
来源期刊:Modern DramaDOI:10.3138/MD.0838R
William Baker. Pinter’s World: Relationships, Obsessions, and Artistic Endeavors.
来源期刊:Modern DramaDOI:10.3138/MD.62.3.BR3
Reconstruction, Fugitive Intimacy, and Holding History
来源期刊:Modern DramaDOI:10.3138/md.s1020r2
S.E. Gontarski. Revisioning Beckett: Samuel Beckett’s Decadent Turn.
来源期刊:Modern DramaDOI:10.3138/MD.62.2.BR7
Stephanie Nohelani Teves. Defiant Indigeneity: The Politics of Hawaiian Performance.
来源期刊:Modern DramaDOI:10.3138/MD.62.3.BR8
Ola Johansson and Johanna Wallin, eds. The Freedom Theatre: Performing Cultural Resistance in Palestine.
来源期刊:Modern DramaDOI:10.3138/md.62.4.br4
Rachel Crothers’s Abandoned Play Venus and the Future of Gender
来源期刊:Modern DramaDOI:10.3138/MD.0877
Michael Wood. Heiner Müller’s Democratic Theater: The Politics of Making the Audience Work
来源期刊:Modern DramaDOI:10.3138/MD.62.1.BR6
Emily Sahakian.Staging Creolization: Women’s Theater and Performance from the French Caribbean
来源期刊:Modern DramaDOI:10.3138/MD.62.1.BR5
La Donna L. Forsgren. In Search of Our Warrior Mothers: Women Dramatists of the Black Arts Movement.
来源期刊:Modern DramaDOI:10.3138/MD.62.2.BR6
Daphne Marlatt’s West Coast Work with Noh
来源期刊:Modern DramaDOI:10.3138/MD.0914R
“Is That What We Wanted?”: Staging Slavery’s Affective Scripts
来源期刊:Modern DramaDOI:10.3138/md.s1035
Sarah J. Townsend. The Unfinished Art of Theater: Avant-Garde Intellectuals in Mexico and Brazil.
来源期刊:Modern DramaDOI:10.3138/md.62.4.br8
The Complex Racial Politics of Smart People
来源期刊:Modern DramaDOI:10.3138/MD.0979R3
S.E. Wilmer. Performing Statelessness in Europe.
来源期刊:Modern DramaDOI:10.3138/MD.62.2.BR8
Laura Edmondson. Performing Trauma in Central Africa: Shadows of Empire.
来源期刊:Modern DramaDOI:10.3138/MD.62.2.BR2
Miriam Haughton. Staging Trauma: Bodies in Shadow.
来源期刊:Modern DramaDOI:10.3138/md.62.4.br3
“We Are a Musical Nation”: Under Milk Wood and the BBC Third Programme
来源期刊:Modern DramaDOI:10.3138/MD.62.3.0998
Kate Bredeson. Occupying the Stage: The Theater of May ’68.
来源期刊:Modern DramaDOI:10.3138/md.62.4.br1
Angela Marino. Populism and Performance in the Bolivarian Revolution of Venezuela.
来源期刊:Modern DramaDOI:10.3138/MD.62.3.BR4
Melissa Poll. Robert Lepage’s Scenographic Dramaturgy: The Aesthetic Signature at Work.
来源期刊:Modern DramaDOI:10.3138/md.62.4.br5
Leticia Alvarado. Abject Performances: Aesthetic Strategies in Latino Cultural Production.
来源期刊:Modern DramaDOI:10.3138/MD.62.3.BR1
Min Tian. The Use of Asian Theatre for Modern Western Theatre: The Displaced Mirror.
来源期刊:Modern DramaDOI:10.3138/md.62.4.br7
Derek Miller. Copyright and the Value of Performance, 1770–1911.
来源期刊:Modern DramaDOI:10.3138/MD.62.3.BR5
James M. Harding. Performance, Transparency, and the Cultures of Surveillance
来源期刊:Modern DramaDOI:10.3138/MD.62.1.BR2
Xing Fan. Staging Revolution: Artistry and Aesthetics in Model Beijing Opera during the Cultural Revolution.
来源期刊:Modern DramaDOI:10.3138/MD.62.2.BR3
Marla Carlson. Affect, Animals, and Autists: Feeling around the Edges of the Human in Performance.
来源期刊:Modern DramaDOI:10.3138/MD.62.2.BR1
Just Feathers: Righting Wrongs with Georgia Douglas Johnson’s Plumes
来源期刊:Modern DramaDOI:10.3138/md.s1022
Penny Farfan. Performing Queer Modernism.
来源期刊:Modern DramaDOI:10.3138/MD.62.2.BR4
Jacob Gallagher-Ross. Theaters of the Everyday: Aesthetic Democracy on the American Stage.
来源期刊:Modern DramaDOI:10.3138/MD.62.1.BR1
The “Atmos-Feeling” of Resurrection: Feeling Black (Not Slave) in Black Arts Movement Drama
来源期刊:Modern DramaDOI:10.3138/md.s1023r
Miriam Felton-Dansky. Viral Performance: Contagious Theaters from Modernism to the Digital Age.
来源期刊:Modern DramaDOI:10.3138/MD.62.2.BR5
Minou Arjomand. Staged: Show Trials, Political Theater, and the Aesthetics of Judgment.
来源期刊:Modern DramaDOI:10.3138/MD.62.3.BR2
Adrian Curtin. Death in Modern Theatre: Stages of Mortality.
来源期刊:Modern DramaDOI:10.3138/md.62.4.br2