Journal of Popular Music Studies

Social Dance in the Age of (Anti-)Social Media: Fortnite, Online Video, and the Jook at a Virtual Crossroads

Performance as Intervention: Understanding the Practices of Chinese Punk Musicians

Review: The Great Woman Singer: Gender and Voice in Puerto Rican Music by Licia Fiol-Matta

The “Manic Pixie Dream Girl of the Synth-Pop World” and Her “Baby Doll Lisp”: Grimes and the Disabling Logics of the Feminization and Infantilization of Lisping

Review: Why Karen Carpenter Matters by Karen Tongson

Conference Report: Annual Meeting of the Society for Ethnomusicology

Music All Up and Down the Street: Listening to Childhood in James Baldwin’s Little Man, Little Man

Salsa’s Unruly Audition: Abnormal Feelings for the 1970s Fania All-Stars

Review: The Race of Sound: Listening, Timbre, and Vocality in African American Music by Nina Sun Eidsheim

Book Review: Spirituals and the Birth of a Black Entertainment Industry by Sandra Jean Graham

Rhythm and Bluebeat: “Jamaican R&B,” Live and on Record, in Early-1960s’ London

Love In A Cold Climate: Cold War, Music, and the Limits of Authenticity

Review: She Begat This: 20 Years of The Miseducation of Lauryn Hill by Joan Morgan

Book Review: Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins by David F. Garcia

ForeWomen: Eunice Kathleen Waymon, Nina Simone, Talib Kweli, DJ Hi Tek, and the Politics of Self-Creation

(Re)Defining Korean Hip Hop: A Conversation with MC Meta, Tiger JK, Deepflow, The Quiett, Nucksal, and Zico

Book Review: The Honky Tonk on the Left: Progressive Thought in Country Music edited by Mark Allan Jackson

A Mashup Returns

Response to Microwave DJs: A Revisit of Farrugia and Swiss’ “Tracking the DJs” (JPMS, 17.1)

Review: Novel Sounds: Southern Fiction in the Age of Rock and Roll by Florence Dore

The Master of Mystery: Technology, Legitimacy and Status in Audio Mastering

Book Review: Stolen Time: Black Fad Performance and the Calypso Craze by Shane Vogel

Book Review: The Tide was Always High: The Music of Latin America in Los Angeles edited by Josh Kun

Book Review: The Devil’s Music: How Christians Inspired, Condemned, and Embraced Rock ‘N’ Roll by Randall Stephens

Remembering Aretha Franklin

Review Essay: “Straight Histories of Queer Music”

Book Review: Dolly Parton: Gender and Country Music by Leigh H. Edwards

Book Review: The Raincoats. 33 1/3 series by Jenn Pelly

Book Review: Review Essay: Beneath the Opulent Surface: Adorno and Popular Music Reconsidered

Book Review: Tropical Riffs: Latin America and the Politics of Jazz by Jason Borge

Feminizing Rock Culture: A Revisit of Norma Coates’s “Teenyboppers, Groupies, and Other Grotesques”

The Audible Future

Microwave DJs: A Revisit of Farrugia and Swiss’s “Tracking the DJs” (JPMS, 17.1)

Book Review: Experimentalisms in Practice by Ana R. Alonso-Minutti, Eduardo Herrera, and Alejandro L. Madrid. On Site, In Sound by Kirstie A. Dorr

Book Review: Wasn’t That A Time: The Weavers, the Blacklist, and the Battle for the Soul of America by Jesse Jarnow

Book Review: Cheap Print and Popular Song in the Nineteenth Century: A Cultural History of the Songster edited by Paul Watt, Derek B. Scott, and Patrick Spedding

Island Girl in a Rock-and-Roll World: An Interview with June Millington by Theo Gonzalves and Gayle Wald

Book Review: The Jazz Bubble: Neoclassical Jazz in Neoliberal Culture by Dale Chapman

“Running Up That Hill”On Love, Sex, and Work in Pose

Response to Feminizing Rock Culture: A Revisit of Norma Coates’s “Teenyboppers, Groupies, and Other Grotesques”

Nielson Remixed: The Trumpification of Hip Hop

“I’m Not the Drummer’s Girlfriend”Merch Girls, Tour’s Misogynist Mythos, and the Gendered Dynamics of Live Music’s Backline Labor

From the Vaults: Teenyboppers, Groupies, and Other Grotesques: Girls and Women and Rock Culture in the 1960s and early 1970s

Book Review: What Will I Be: American Music and Cold War Identity by Philip Gentry

Divided by a common language: Musical Theater and popular music studies