ART BULLETIN

Funding Information

Kinaesthetic Knowing: Aesthetics, Epistemology, Modern Design, by Zeynep Çelik Alexander

Floor Mosaics, Romanità, and Spectatorship: The Foro Mussolini’s Piazzale dell’Impero

Jung Tak-young and the Making of Abstract Ink Painting in Postwar Korea

The Painter’s Touch: Boucher, Chardin, Fragonard, by Ewa Lajer-Burcharth

Materiality, Sign of the Times

Golden Kingdoms: Luxury and Legacy in the Ancient Americas; and Golden Kingdoms: Luxury Arts in the Ancient Americas, by Joanne Pillsbury, Timothy Potts, and Kim N. Richter, Eds.

Stage at the Edge of the Sea: Picasso’s Scenographic Imagination

Humor and Violence: Seeing Europeans in Central African Art, by Z. S. Strother

The Social Life of Inkstones: Artisans and Scholars in Early Qing China, by Dorothy Ko

Mussolini Exports the Renaissance: The Burlington House Exhibition of 1930 Revisited

Fray: Art and Textile Politics, by Julia Bryan-Wilson

Sympathy, Magnetism, and Immoderate Laughter: The Feather in Cook’s Last Voyage

Patterns in Circulation: Cloth, Gender, and Materiality in West Africa, by Nina Sylvanus

Scale and the Incas, by Andrew James Hamilton

Table of Contents

The Habsburg Re-Making of the East at Schloss Schönbrunn, “or Things Equally Absurd”

Tragoedie and the Program of Klimt’s Secession Period

From Museum to Menagerie: Théodore Géricault and the Leonine Subject

Falda’s Map as a Work of Art

Color in the Age of Impressionism: Commerce, Technology, and Art, by Laura Anne Kalba

Building as Bridge: Frank Lloyd Wright’s Marin County Civic Center

Grand Illusions: American Art and the First World War, by David M. Lubin

Baroque Seville: Sacred Art in a Century of Crisis, by Amanda Wunder

Banaras Reconstructed: Architecture and Sacred Space in a Hindu Holy City, by Madhuri Desai

Taste and Trade: The Drinking Portraits of Alexis Grimou (1678–1733)

Matisse at the Senya el Hashti: Diplomacy and Decoration in an Anglo-Moroccan Garden

A New Objectivity: Fashionable Surfaces in Lotte Laserstein’s New Woman Pictures

Baroque Futurism: Roberto Longhi, the Seventeenth Century, and the Avant-Garde

Georgia O’Keeffe’s “Black Place”

Jan Brueghel and the Senses of Scale, by Elizabeth Alice Honig

Hagia Sophia: Sound, Space, and Spirit in Byzantium, by Bissera V. Pentcheva

So What about Italy These Days?

Seizing Jerusalem: The Architectures of Unilateral Unification, by Alona Nitzan-Shiftan

Hand Dance: Auguste Rodin’s Drawings of the Cambodian Royal Ballet

Like Life: Sculpture, Color, and the Body; and Like Life: Sculpture, Color, and the Body, by Luke Syson, Sheena Wagstaff, Emerson Bowyer, and Brinda Kumar

Giorgio de Chirico’s Willful Claustrophilia: The Ferrara Interiors, 1915–18