DANCE CHRONICLE

Revisiting Trauma: Choreographing the Loss of the Armenian Journalist Hrant Dink

Resisting Trauma and Keeping Hope Alive: Romanian Modern Dance during the Complicated Twentieth Century

Dances of Loss, Grief, and Endurance in the Face of Trauma

Drums Sound in Hackensack: Agnes de Mille and the Jooss Ballet

Information Technology and the Arts: The Evolution of Computer Choreography during the Last Half Century

Tracking an InVisible Difference

A Dance History Textbook That Leaves Questions Unanswered

Continuing to Consider Katherine Dunham

From Dream to Reality: Israeli Dance

The Virtuality of Premodern Dance

The Avant-Garde’s Alternative Ways of Knowing

Dancing in the Dark with Fred, George, and Gene

The Ekphrastic Body: Wayne McGregor’s Woolf Works

The Marionette of Heinrich von Kleist: A Dancing Model

Kenneth MacMillan and the Subject Matter of Ballet

Expanding Testimony: Dance Performance as a Mode of Witnessing in Richard Move’s Lamentation Variation

Dien Bien Phu, Soviet Ballet, and the Cold War: The First Paris Tour, May 1954

The Dancing Subject in Hindi Film

The One Billion Rising Flash Mob: From Unspeakable Trauma to Danceable Pleasure

The Ballets Russes Remembered

Italian Perspectives on Contemporary Dance

Ballroom Dance in Its Golden Age

Systems of Meaning-Making: Representation and Affect in Dance in Advertising