Television & New Media

Decolonizing Privacy Studies

Data Epistemologies, The Coloniality of Power, and Resistance

#NiUnaMenos: Data Activism From the Global South

Coping with Shame in a Media-saturated Society: Norwegian Web-series Skam as Transitional Object

Fictional Entertainment and Public Connection: Audiences and the Everyday Use of TV-series

An Agenda in the Interest of Audiences: Facing the Challenges of Intrusive Media Technologies

City of Refuge or Digital Order? Refugee Recognition and the Digital Governmentality of Migration in the City

The New Spirit of Capitalism in the Game Industry

Beyond the Migrant “Problem”: Visualizing Global Migration

Pushing the Next Level: Investigating Digital Content Creation in India:

Audience Reception Research in a Post-broadcasting Digital Age

Video Games as Dating Platforms: Exploring Digital Intimacies through a Chinese Online Dancing Video Game

Becoming Gamesworkers: Diversity, Higher Education, and the Future of the Game Industry

Virtually Present, Physically Invisible: Alejandro G. Iñárritu’s Mixed Reality Installation Carne y Arena

The Double Hermeneutics of Audience Research

Building Momentum for Collectivity in the Digital Game Community

The Precarious Labor of Queer Indie Game-making: Who Benefits from Making Video Games “Better”?

Television Studies, We Need to Talk about “Binge-Viewing”:

Push, Pull, Rerun: Television Reruns and Streaming Media

Pursuing “Generation Snowflake”: Mr. Robot and the USA Network’s Mission for Millennials

Itinerant Data: Unveiling Gendered Scrutiny at the Border

The Greening of Euro 2016: Fan Footage, Representational Tropes, and the Media Lionization of the Irish in France

Broadcast Media and Their Social Network Sites: The Case of Palestinian–Israeli Representations and Capabilities:

Doctor Who, Ma’am: YouTube Reactions to the 2017 Reveal of the New Doctor

Parenting Practices and Gender Roles in the Modern Chinese Family: Interculturalism in Where Are We Going, Dad?

Is This Social TV 3.0? On Funk and Social Media Policy in German Public Post-television Content Production

Justifying Trash: Regulating Reality TV in Israel

Precarity and Why Indie Game Developers Can’t Save Us from Racism

International Fan Professionalization on Viki

Dating the Media: Participation, Voice, and Ritual Logic in the Disability Dating Show The Undateables

Indigenous Television for the Majority: Analyzing NRK Sapmi’s Muitte Mu (Remember Me):

Cultural Mediators Seduced by Mad Men: How Cultural Journalists Legitimized a Quality TV Series in the Nordic Region

Chilean Television on Shifting Terrain: Movement Toward a Postnetwork Era

Rebuilding Finance’s “Action Man” through CNBC’s The Closing Bell

Retroactive Edits: 9/11, Television’s Popular Archive, and Shifting Popular Memory

Making of a Mangaka: Industrial Reflexivity and Shueisha’s Weekly Shônen Jump

Roy Rogers and Gene Autry Do Not Endorse This Project: Actors, Advertising, and Feature Films on Early Television:

Between Hyorish and Hyorism: A Korean TV Star and Social Media Activism

The Killing: The Gender Politics of the Nordic Noir Crime Drama and Its American Remake:

Contested Formations of Digital Game Labor

Time to Dream, Time to Remember: Patterns of Time and Metaphysics in Westworld:

Global Television Formats and Their Impact on Production Cultures: The Remaking of Music Entertainment Television in India

The Voluntarily Childless Heroine: A Postfeminist Television Oddity

“This Is What a Feminist Looks Like”: Dead Girls and Murderous Boys on Season 1 of Netflix’s You:

“Smart” Cameras and the Operational Enclosure:

“What Else about Our Reality Is Actually a Disorder?” Mental Illness as Crisis of Reality in FX’s Legion:

The “Narco-stories” of Kate del Castillo: Stardom, Gender, and Entrepreneurship in a Transnational Context: