Quarterly Review of Film and Video

Ideology of the Agrarian Myth: Kurosawa’s Seven Samurai and Sturges’ The Magnificent Seven

Representation of Women in Nicholas Hytner’s The Crucible (1996)

The Bad Auteur(ist): Authentic Failure and Failed Authenticity in Tim Burton’s Ed Wood

Audiovisual Literacy and the Ghost of Silent Cinema in Contemporary YouTube Clips

It is Happening Again: Traumatic Memory, Affective Renewal, and Deferred Resolution in Twin Peaks: The Return

Failing Intersectionality: Gender, Ethnicity, and Religious Traditions in Recent Israeli Films

Reviving Cinderella: Contested Feminism and Conflicting Models of Female Empowerment in 21st-Century Film and Television Adaptations of “Cinderella”

Review of Essays on the Essay Film

Jonas Mekas, 1922–2019

Leni

A Finer-Grained Truth: Film and Justice in the Post-Genocide Landscapes of Cambodia and Rwanda

The Criterion Treatment

Repetition, Compulsion, and Matrimony in Groundhog Day, Matchstick Men, and What About Bob?

Todd Haynes’ Melodramas of the Unknown Woman: Far From Heaven, Mildred Pierce, and Carol, and Stanley Cavell’s Film Ethics

Screening Colonial Modernity: Cinematic Re-Imaginations of Colonial Korea in the 2000s

Citizen Ivanov Versus Comrade Tito: Partisans in Soviet and Yugoslav Cinema of the Second Word War (1960–1985)

Will Shakespeare Has a Play; I Have a Theatre: Market, Exchange, and Artistic Production in Shakespeare in Love

Sonic Diegesis: Reality and the Expressive Potential of Sound in Narrative Film

Authority Year Zero

Sinclair Lewis and the Failure of Hollywood

The Musical That Pretended It Wasn’t a Musical: Genre and Narrative Style in Once

Pastiche or Critique: Reworking the Canonical Avant-Garde, and the Female Body

The Psychosocial Image

Operation Amigos: The Original Amateur Hour Goes to Mexico

Tren de Sombras: El Espectro de le Thuit: Memory, Genre and Film Technology

Manhattan of the 1970s: Between the Memory of the Underground and the Cinema of Gentrification

Film Rhythm and the Aporetics of Temporality

Story for Dennis Oppenheim

Man-Candy, Hot Body, and an Army of Skanks: Mean Girls as Revisionist Text and the Teen Film Genre

A Real Swinger of a Nightmare: Frank Sinatra and the Grim Side of the WWII Veteran’s Story

2001: A Pace Odyssey—The Donau Sequence as an American Film Musical Number

Grand Opera on the Silver Screen

Bat Meets Girl: Adapting the Dark Knight’s Love Life to the Big Screen

Mizoguchi, Melodrama, and the Psychology of Nature: Exploring Relationships Between Worlds in Kenji Mizoguchi’s Musashino Fujin (1951)

Flimflam in Film: Con Artists’ Comeuppance