Three Phases of the Theatrical Public Sphere in Estonian Theatre
来源期刊:Nordic Theatre StudiesDOI:10.7146/NTS.V31I1.113002
A Literary (Techno)science
来源期刊:Nordic Theatre StudiesDOI:10.7146/NTS.V31I1.113001
Bourdieusian Concepts and the Field of Theatre Criticism
来源期刊:Nordic Theatre StudiesDOI:10.7146/NTS.V31I1.112999
Hybrids, Chimeras, Aberrant Nuptials:
来源期刊:Nordic Theatre StudiesDOI:10.7146/NTS.V31I1.113000
What Happened to Theatre Studies
来源期刊:Nordic Theatre StudiesDOI:10.7146/NTS.V30I2.112948
Towards a Spectatorial Approach to Drama Analysis
来源期刊:Nordic Theatre StudiesDOI:10.7146/NTS.V30I2.112950
Is Theatre Personally and Socially Relevant
来源期刊:Nordic Theatre StudiesDOI:10.7146/NTS.V30I2.112955
Suddenly a Stranger Appears
来源期刊:Nordic Theatre StudiesDOI:10.7146/NTS.V31I1.112998
almost invisible until now
来源期刊:Nordic Theatre StudiesDOI:10.7146/NTS.V31I1.113013
“Theatre Phenomenology” and Ibsen’s The Master Builder
来源期刊:Nordic Theatre StudiesDOI:10.7146/NTS.V31I1.113005
Performance as Counter-memory:
来源期刊:Nordic Theatre StudiesDOI:10.7146/NTS.V31I1.113003