Latino Studies

Lupe Vélez and her spicy visual “accent” in English-language print media

Gendering deportation, policy violence, and Latino/a family precarity

The double-edged blade of transnational citizenship: Mexican migrants’ views of the Peña Nieto administration

The rise of urban diasporic identity and consciousness in Guatemalan American literature

Queer in a legal sense: Negation and negotiation of citizenship in Boutilier v. Immigration and Naturalization Service and Arturo Islas’s The Rain God

Literal allegories: Queering the family-nation in contemporary Dominican diaspora fiction

Docile, criminal, and upwardly mobile?: Visual news framing of Mexican migrants and the logics of neoliberal multiculturalism

Vulnerability, precarity and the people in debates over immigration in local newspapers

Documenting Latinx lives: Visual anthropology and Latinx studies

Reinventing Enrique Iglesias: Constructing Latino whiteness in the Latin urban scene

Intersectional hermanas: LDS Latinas navigate faith, leadership and sisterhood

Mad Love: Martín Espada’s homage to Frank Espada’s photographic legacy

Blurring boundaries in Rosedale Park: The importance of the Tejano Conjunto festival on the transnational dissemination of traditional Texas-Mexican accordion music

I feel like I was born here: Social identity, political socialization, and deAmericanization

Soy de aquí, soy de allá: DACAmented homecomings and implications for identity and belonging

Correction to: Community organizing in Sunset Park on the eve of the 2016 election

From walking out to walking in: Activist goals, neoliberal constraints, and the discourse of Latino entrepreneurship

Correction to: Putting Puerto Rico’s best (black) face forward: Ramón Rivero’s “Diplo” and racialized performances of liberation

The cost of citizenship: Assimilation and survival in Cristela

The classroom, the campus, and beyond: Using Twitter to connect in #Latinxstudies courses

Putting Puerto Rico’s best (black) face forward: Ramón Rivero’s “Diplo” and racialized performances of liberation