International Journal of Cultural Studies

De-westernizing creative labour studies: The informality of creative work from an ex-centric perspective

China’s livestreaming industry: platforms, politics, and precarity

Documenting atrocities around the world: Why engage with the perpetrators?

Queer generations: Theorizing a concept

‘My coming out story’: Lesbian, gay and bisexual youth identities on YouTube

Cultural revitalization and the ontology of communicative spaces: ‘Mobile coordinating’ among Guaraní

The digital gift and aspirational mobility

Cook it, eat it, Skype it: Mobile media use in re-staging intimate culinary practices among transnational families

Globalization, creative alliance and self-Orientalism: Negotiating Japanese identity within Asics global advertising production

Creativity, informality and cultural work in Rio de Janeiro’s favelas

Digital entrepreneurship in Taiwan and Thailand: Embracing precarity as a personal response to political and economic change

Transmigrant media: Mediating place, mobility, and subjectivity

Fashion in Bolivia’s cultural economy

Witnessing the experience of European bordering: Watching the documentary Under den samme himmel in an immigration detention centre

Toward an ordinary ethics of mediated humanitarianism: An agenda for ethnography

Gay porn networks

Graffiti as a site for cultural literacies in Zimbabwean urban high schools

Raymond Williams and the politics of the commons: The performative quality of the intellectual

Traditional opera consumption as the new game of distinction for the Chinese middle class

Turning the Pushkin Museum into a ‘Russian Tate’: Informal creative labour in a transitional cultural economy (the case of privately funded Moscow art centres)

Remix videos and the mnemonic imagination: Emotional memories of late Soviet childhood

Prosumer engagement through story-making in transmedia branding

In the name of the nation: Media classification, globalisation, and exceptionalism

Fandom while black: Misty Copeland, Black Panther, Tyler Perry and the contours of US black fandoms

Searching for public value in innovation coordination: How the Eurovision Song Contest was used to innovate the public service media model in Estonia

The ‘grey area’ of employment relations in the Polish videogame industry

The corridor of uncertainty: Media, cricket and West Indian identity

On naming Arab revolutions and oppositional media narratives

Blue-light emergency phones on campus: Media infrastructures of feeling

Provocative engagement: Documentary audiences and performances in The Act of Killing and The Look of Silence

Introduction: Performance and Citizenship

The performance of power and citizenship: David Cameron meets the people

Picturing luxury, producing value: The cultural labour of social media brand influencers in South Africa

‘Announcement’ trailers and the inter-temporality of Hollywood blockbusters

The celebritization of indigenous activism: Tame Iti as media figure

Technologies of public culture: Heritage encounters with photography, television and the web

Staging citizenship: Artistic performance as a site of contestation of citizenship

A commentary on the special issue Performance and Citizenship: Challenging populist political performances through citizenship as performance?

Media scandals, rumour and gossip: A study with an ear close to the ground

Performing civic cultures: Participatory public art and its publics

Trolling as transgression: Subversive affirmations against neoliberal austerity:

Unrealizations: The making and unmaking of two Japanese-designed extensions to European museums

The foreign and the familiar: Reading the China bag in South Africa

Affective solidarity and mediated distant suffering: In defence of mere feltness

Turkishness on the stage: Affective nationalism in the Eurovision Song Contest

Young people, online fandom and the perils of child pornography legislation in Australia