“Rough! Tough! Real Stuff!”: Music, Militarism, and Masculinity in American College Football
来源期刊:American MusicDOI:10.5406/AMERICANMUSIC.37.1.0029
Finding Armenia in Alan Hovhaness’s Symphony No. 8 (Arjuna) and Madras Sonata
来源期刊:American MusicDOI:10.5406/AMERICANMUSIC.37.1.0077
“La música en las casas”: Musicalizations in La casa de papel and La casa de las flores and Netflix’s Global Audience
来源期刊:American MusicDOI:10.5406/americanmusic.37.4.0472
The Mythical Musical Boatmen: Integrating National Icons in Antebellum American Culture
来源期刊:American MusicDOI:10.5406/AMERICANMUSIC.37.2.0197
Operatic Borrowing in Stephen Sondheim’s Sweeney Todd
来源期刊:American MusicDOI:10.5406/AMERICANMUSIC.37.1.0058
Beneath the Hybrid Surface: Baban as a Tool for Self-Definition in the Music of Chen Yi
来源期刊:American MusicDOI:10.5406/americanmusic.37.3.0330
“Adding to the Pictures”: The American Film Prologue in the 1920s
来源期刊:American MusicDOI:10.5406/AMERICANMUSIC.37.1.0001
Takarazuka Revue, Cole Porter’s Can-Can, and the Integrated Broadway Musical
来源期刊:American MusicDOI:10.5406/americanmusic.37.3.0358
Status Quo Ante: Music in (Post)Quality TV
来源期刊:American MusicDOI:10.5406/americanmusic.37.4.0458
A Portrait of John Adams as a Young Man: The 1970s Juvenilia
来源期刊:American MusicDOI:10.5406/AMERICANMUSIC.37.2.0229
Television Genre / Musical Genre / Expressive Genre
来源期刊:American MusicDOI:10.5406/americanmusic.37.4.0435
Studying the Study of Television Music and Sound
来源期刊:American MusicDOI:10.5406/americanmusic.37.4.0400
Liveness and the Grateful Dead
来源期刊:American MusicDOI:10.5406/AMERICANMUSIC.37.2.0123
Traveling Jazz Musicians and Debt Peonage
来源期刊:American MusicDOI:10.5406/AMERICANMUSIC.37.2.0172
New Orleans Rhythm and Blues, African American Tourism, and the Selling of a Progressive South
来源期刊:American MusicDOI:10.5406/AMERICANMUSIC.37.1.0095