JOURNAL OF MUSICOLOGICAL RESEARCH

Death and Resurrection Motifs in Narratives of Berlioz’s and Liszt’s Lives: D’Ortigue, Ramann, and Berlioz’s Mémoires

Biographical Revisionism: Hubert Foss’s Conflicting Portrayals of Vaughan Williams

The Strings of 9/11: Elegiac Reflection, Catharsis, and Reenactment in Works for String Instruments

Roy Harris’s Symphony 1933: Biographical Myth-Making and Liberal Myth-Building in the American West

About the Authors

An Opera Singer’s Gothic Fiction: The Autobiographies of Sims Reeves

Hearing the Second Sino-Japanese War: Musical Nationalism and Internationalism in Xian Xinghai’s Yellow River Cantata

Stravinsky in the Americas: Transatlantic Tours and Domestic Excursions from Wartime Los Angeles (1925–1945)

Pitched Battles: Music and Sound in Anglo-American and German Newsreels of World War II

In Tempore Belli: Crumb’s Black Angels and the Vietnam War

From Dachau to La Paz: Erich Eisner and the Confluence of Jewish, Austro-German, and Bolivian Music Traditions

“Primitive Sounds”: An Examination of the Conflicting Discourse in the Early British Reception of Igor Stravinsky’s Russian Ballets

An Introduction to “Pitched Battles”

Jacques Barzun’s Berlioz and the Romantic Century (1950): A Musicological Brontosaurus?

Musical Biography in the Musicological Arena

Musique à la Mode: Francis Poulenc’s Histoire de Babar and the Rebirth of “Lifestyle Modernism”

Mordecai Seter’s Midnight Vigil (Tikkun Ḥatzot, 1961): Deconstructing Israelism, National and Biographical Myths

Military Music for America’s Peacetime: Victory at Sea and 1950s Post-War Television

Involuntary Hero: Otakar Ostrčil and his Biographer Zdeněk Nejedlý

Myth-Making and the Politics of Nationality in Narratives of J.S. Bach’s 1717 Contest with Louis Marchand

Reclaiming an Irish National Hero: Seamus De Búrca’s Biography of Peadar Kearney, The Soldier’s Song (1957)