The Aesthetics of Transgression in Siri Hustvedt’s THE SUMMER WITHOUT MEN
来源期刊:The ExplicatorDOI:10.1080/00144940.2019.1583163
Take that, Charlie Chaplin! The meaning of names in J.D. Salinger’s PRETTY MOUTH AND GREEN MY EYES
来源期刊:The ExplicatorDOI:10.1080/00144940.2018.1513905
Myth and Mithraism in Hardy’s THE MAYOR OF CASTERBRIDGE
来源期刊:The ExplicatorDOI:10.1080/00144940.2019.1581123
Between (Just) the Paws of the Tender Wolf: Rereading the Conclusion of Angela Carter’s THE COMPANY OF WOLVES
来源期刊:The ExplicatorDOI:10.1080/00144940.2019.1590300
You Are What You Eat: Connecting Food with Identity in Paul Beatty’s THE SELLOUT
来源期刊:The ExplicatorDOI:10.1080/00144940.2019.1668341
Zora’s Bookshelf in The Quest of the Silver Fleece by W. E. B. Du bois
来源期刊:The ExplicatorDOI:10.1080/00144940.2019.1667747
Transfiguration and Ascent in Shaw’s Major Barbara
来源期刊:The ExplicatorDOI:10.1080/00144940.2018.1540391
Spatial ambiguity and the question of Jewish identity in Franz Kafka’s JACKALS AND ARABS
来源期刊:The ExplicatorDOI:10.1080/00144940.2019.1626329
The Riddle of Metaphors by Sylvia Plath
来源期刊:The ExplicatorDOI:10.1080/00144940.2018.1551774
The Problematics of Self-Elegy: John Berryman’s DREAM SONG 78, OP. POSTH. NO.1.
来源期刊:The ExplicatorDOI:10.1080/00144940.2018.1551773