Early Popular Visual Culture

The astronomical lantern slide set and the Eidouranion in Australia

Fighting the enemy with the lantern: how French and Belgian Catholic priests lectured against their common laic enemies before 1914

Sensation – intimacy – interaction: lantern performances in religious and socio-political education

“This is our first big experiment”: Paris 1900 (1947) and the Eye Filmmuseum’s early collection-building

Early cinema in Scotland

The British Cinema Boom, 1909–1914: A Commercial History

The Britannia Panopticon Music Hall and Cosmopolitan Entertainment Culture

Magic lantern shows through a macroscopic lens: topic modelling and mapping as methods for media archaeology

The lecture-brokers: the role of impresarios and agencies in the global Anglophone circuit for lantern lecturing, 1850-1920

Does this fig leaf make me look gay? Strongmen, statue posing and physique photography

The travelling lantern: the Courtois and Grandsart-Courtois family theatres as transcultural mediators at the nineteenth-century fair

Lantern mobilities

The making of the ‘new woman’: narratives in the popular illustrated press from the Ottoman Empire to the new Republic (1890–1920s)

The Light of the World: transport and transmission in colonial modernity

The ‘Frankenstein Phantasmagoria’: making slides for the magic lantern

Black and White Bioscope: Making Movies in Africa 1899-1925

Linternauta: a web application for the interpretation of magic lantern slides according to discursive genre

‘The awakening of our taste for natural science’: the magic lantern and popular education in imperial Russia (1721–1871)

Cinemas behind barbed wire: British Prisoners of War and POW camp cinemas, 1914-1918

Practice-led research by creative re-use in the Australian Research Council Project Heritage in the Limelight: The Magic Lantern in Australia and the World

The film narrator and the early American screenwriting manuals

The call of the heart: John M. Stahl and Hollywood melodrama

Animating the hand of the scientist: women colourists at the Australian Museum in the early twentieth century

Analogue objects online. Epistemological reflections on digital reproductions of lantern slides