Shakespeare

On Not Doing for England’s Bard What He Did for Ireland’s Bards: Samuel Ferguson’s Shakespearean Breviates

The Memorial Reconstruction Theory and Chronicles: The Henry VI Plays

Review of Shakespeare’s Macbeth, motion picture (directed by Kit Monkman), Goldfinch Studios / Premiere Picture, 2018

Review of Shakespeare’s Twelfth Night (directed by Carl Cofield) at the Yale Repertory Theatre, New Haven, Connecticut, 6 April 2019

Briser les chaînes de la métaphore : romances shakespeariennes et métaphores ravivées

Fortune Unbound in Othello

On Editing

“More things in heaven and earth”: Materiality and the Stage

Review of Shakespeare’s King Lear (directed by Jonathan Munby) at the Duke of York Theatre, London, 29 September 2018

Review of Shakespeare’s The Taming of the Shrew (directed by Justin Audibert for the Royal Shakespeare Company) at the Royal Shakespeare Theatre, Stratford-upon-Avon, 5 April 2019

The Smoke of War: From Tamburlaine to Henry V

Review of Shakespeare’s A Midsummer Night’s Dream (directed by Andrea Montgomery for Terra Nova Productions) at Queen’s Hall, Newtownards, Belfast, 5 May 2019

“Strange Flesh”: Hunger and Appetite in Shakespeare’s Rome

“’Tis Time Must Do”: Schopenhauer and Shakespearean Romantic Time

Foreword: Christy and France

Review of Shakespeare’s Troilus and Cressida (directed by Gregory Doran) at the Royal Shakespeare Theatre, Stratford upon Avon, 22 October 2018

Introduction: Visions of Rome in Shakespeare

Mucedorus: The Last Ludic Playbook, the First Stage Arcadia

Intermedial Props in Shakespeare’s Roman Plays

“Discourse is heavy, fasting”: Food Imagery in Titus Andronicus and Cymbeline

“In My Power”: The Tempest as Shakespeare’s Antitheatrical Vision

Removing the Bars for Collaborative Shakespeare

Review of Shakespeare’s Measure for Measure (directed by Josie Rourke) at the Donmar Warehouse, London, 19 November 2018

Shakespeare anthologized: Taking a fresh look at Douai Manuscript MS787

Review of Shakespeare’s Macbeth (directed by Robert Hastie for Shakespeare’s Globe) at the Sam Wanamaker Playhouse, London, 10 January and 12 January (Matinée) 2019

Experiencing Time in Shakespearean Theatre

Review of Shakespeare and Middleton’s Timon of Athens (directed by Simon Godwin for the Royal Shakespeare Company) at the Swan Theatre, Stratford-upon-Avon, 8 December 2018

Shakespeare in the Artist’s Book: Sequence, Series, and Adaptation

Review of Shakespeare’s King Lear (directed by Sam Gold) at the Cort Theatre, New York, 13 March 2019

Overflowing the Measure: Cleopatra Unbound

Review of Shakespeare’s Macbeth (directed by Polly Findlay for the Royal Shakespeare Company) at the Royal Shakespeare Theatre, Stratford-upon-Avon, 9 April 2018

Gestures and the Classical Past in Shakespeare’s Titus Andronicus

Henry IV Part 1, or Hotspur; Henry IV Part 2, or Falstaff; and Henry V, or Harry England (directed by Sarah Bedi and Federay Holmes), at Shakespeare’s Globe Theatre, London, 6, 9 and 13 June 2019

Textual Critique through the Artist’s Eye: Dante Gabriel Rossetti’s Hamlet and Ophelia (1858–59)

Review of Shakespeare’s The Tempest (directed by Antoni Cimolino for the Stratford Festival) at the Festival Theatre, Stratford, Ontario, 13 July 2018

Inside Out and Outside In: The River Thames in William Shakespeare’s The Merry Wives of Windsor

Sacrificing Parts in Shakespeare’s Two Gentlemen of Verona

Review of Shakespeare’s Julius Caesar (directed by Nicholas Hytner for the London Theatre Company) at the Bridge Theatre, London, 15 February 2018

Getting the Joke: Shakespeare, Time, and Interface

Review of Shakespeare’s Hamlet and As You Like It (directed by Federay Holmes and Elle While for the Globe Ensemble) at Shakespeare’s Globe, London, 29 April and 30 May 2018

Performing the Prophetic

Sans Tongue, Sans Hands, Sans Music? Violence and Musical Bodies in Titus Andronicus

A Shakespearean Exploration of Erasmus’ festine lente