NEOHELICON

Negotiating the gendered ethnic self in selected fictions of Amy Tan and Bharati Mukherjee

Contracting love versus courtly love: Jans Enikel’s “Friedrich von Auchenfurt,” the anonymous Mauritius von Craûn, and Dietrich von der Gletze’s “Der Borte”

Ancient Greek tragedy in China: focusing on Medea adapted and performed in Chinese Hebei clapper opera

History-making and its gendered voice in Wang Tao’s and Vernon Lee’s ghost stories

Birth control East and West: reading eugenics in Mo Yan’s Frog and Eudora Welty’s “Lily Daw and the Three Ladies”

When dreams become nightmares: a comparative study of Enemies, a love story and The reader

Said and the world: typos, mistranslations and neoplatonism

World literature in and through translation

Calculation as a cultural practice in modern literature

The making of world literature: Turkish fiction as a case study

W. H. Auden’s anti-Japanese war: “Sonnets from China” and its historical context

Yeats’s noh and world drama: foreign form in tandem with local materials

The language of age in Joseph Conrad’s Heart of darkness

De l’Exil à la désillusion dans Un Papillon dans la cite, L’Exil selon Julia et Chair Piment de Gisèle Pineau

Destination Levant: T.E. Lawrence and Gertrude Bell’s narrative voice as gender transgression

The literary critic as translator: a case study on translation and the translator’s literary poetics

Traveling for reciprocity: LeAnne Howe’s Choctalking on Other Realities

Censorship and literary translation in Turkey: translating obscenity after The Soft Machine and Snuff court cases

Uprooting and liberation: problematics of Central and Eastern European exile in Škvorecký’s The engineer of human souls and Hoffman’s Lost in translation

Toward tribalography: rewriting the three sisters’ story in Shell Shaker

Lost in translation: the motif of cannibalism as reconstructed in the English translations of a Chinese classical novel

Paul Valéry’s implex, or that by which we remain contingent, conditional

Sweeney Agonistes in noh mask: T. S. Eliot, Japanese noh, and the fragments of world drama

Translating foregrounding in literary and non-literary texts, foregrounding translator’s conscious and unconscious thought

The experimental drama of Gao Xingjian inspired by avant-garde theatre

Destination South: Lena Grove’s “Like a lady travelling”

At the crossroads between the elite and the masses cults: Pushkin’s Middle Path in Russian culture

Bertolt Brecht’s theatrical concept of alienation effect and the Chinese application and transformation

Overseas translation of modern Chinese fiction via T’ien Hsia Monthly

Demarginalizations and destination(s) of post-Yugoslav literary canons

Shakespeare and Tang Xianzu: their significance to the formation of world drama

Der Weg in den Untergang in Christian Schüles Das Ende unserer Tage (2012) und in Muhammad Rabies Otared (2015)

Destination England: Buchi Emecheta’s Second Class Citizen and Caryl Phillips’s The Final Passage

Fear of fear itself: diseased others in the American imagination

Race and politics in the twentieth-century Black American play: Lorraine Hansberry’s A Raisin in the Sun

Fleur rebelle, fleur royale: the friendship of Lady Oscar and Marie Antoinette in The Rose of Versailles

A multidimensional cross-cultural semiotic model from China to the West

Borges and Ge Fei: Transfiguring the poetics of atemporal labyrinth