The Pioneers Get Shot: Music Video, Independent Production and Cultural Hierarchy in Britain
来源期刊:Journal of British Cinema and TelevisionDOI:10.3366/jbctv.2019.0498
Representations of British Chinese identities and British television drama: mapping the field
来源期刊:Journal of British Cinema and TelevisionDOI:10.3366/JBCTV.2019.0465
Freelance Networks, Trade Unions and Below-the-Line Solidarity in Regional Film and Television Clusters: An Interview with the Bristol Editors Network
来源期刊:Journal of British Cinema and TelevisionDOI:10.3366/JBCTV.2019.0470
‘Another, more sinister reality’: Class, Youth and Psychopathology from Saturday Night and Sunday Morning to Endless Night
来源期刊:Journal of British Cinema and TelevisionDOI:10.3366/JBCTV.2019.0469
Leading, Collaborating, Championing: Red’s Arresting Women
来源期刊:Journal of British Cinema and TelevisionDOI:10.3366/JBCTV.2019.0480
Consuming Downton Abbey: The Commodification of Heritage and Nostalgia
来源期刊:Journal of British Cinema and TelevisionDOI:10.3366/JBCTV.2019.0456
Exotic Locales: Representations of Place and the Use of Colour in the British Transatlantic Telefilm
来源期刊:Journal of British Cinema and TelevisionDOI:10.3366/jbctv.2019.0494
Undoing Difference: Academic Historians and the Downton Abbey Audience
来源期刊:Journal of British Cinema and TelevisionDOI:10.3366/JBCTV.2019.0454
A regional company? RED Production and the cultural politics of place
来源期刊:Journal of British Cinema and TelevisionDOI:10.3366/JBCTV.2019.0478
Restrained Airs: The Diegetic Surface and Nondiegetic Depth of British Film Music
来源期刊:Journal of British Cinema and TelevisionDOI:10.3366/jbctv.2019.0493
An invisible nation?: The BBC and English-language arts television in Wales
来源期刊:Journal of British Cinema and TelevisionDOI:10.3366/JBCTV.2019.0492
‘The New Downton Abbey’? Poldark and the Presentation and Perception of an Eighteenth-century Past
来源期刊:Journal of British Cinema and TelevisionDOI:10.3366/JBCTV.2019.0458
Back to the Future: The Uses of Television in the Digital Age
来源期刊:Journal of British Cinema and TelevisionDOI:10.3366/JBCTV.2019.0466
Becoming a Global Producer: Creative and Industrial Change at Post-Studiocanal RED
来源期刊:Journal of British Cinema and TelevisionDOI:10.3366/JBCTV.2019.0479