Irish Studies Review

Crime, violence, and the Irish in the nineteenth century

Winning the vote for women: the Irish Citizen newspaper and the suffrage movement in Ireland

Samuel Beckett and Europe: history, culture, tradition

The famished soul: resonance and relevance of the Irish famine to Irish men’s accounts of hunger following immigration to England during the 1950s and 1960s

The sporting world and the human heart: Ireland, 1880–1930

“A German Bred Revolt”: the Manchester Guardian’s perceptions of the Irish Easter Rising, 1916

Children and the Great Hunger in Ireland

“The artifice of eternity”: The Wanderings of Oisin and the Byzantium poems

Cycle camping in Victorian and Edwardian Ireland

The Hales brothers and the Irish revolution

“Hugon come erindwards”: Finnegans Wake and Ireland’s Huguenots

“Boys indifferent to the manly sports of their race”: nationalism and children’s sport in Ireland, 1880–1920

Marina Carr’s Hecuba: agency, anger and correcting Euripides

Introduction: sport in Ireland from the 1880s to the 1920s

Ireland and the Paris Olympic Games (1924): a difficult journey successfully negotiated

Godot’s Shakespeare

Ireland 1916–2016: the promise and challenge of national sovereignty (Dóchas agus Dúshlán na Ceannasachta Náisiúnta)

Asylum Archive

The Last September: Irish modernism, narrative deferral, historicist determinism

The Irish Sandow school: physical culture competitions in fin-de-siècle Ireland

The men will talk to me: Clare interviews by Ernie O’Malley

John McGahern: authority and vision

Ireland in the imperial imagination: British nationalism and the Anglo-Irish Treaty

A vision of Ireland, 1967: John Montague’s aisling ghéar

Food rioting in Ireland in the eighteenth and nineteenth centuries

On national dress and the problem of authenticity in Ulysses

Irish questions and Jewish questions: crossovers in culture

J. M. Synge and travel writing of the Irish revival

Samuel Beckett’s How It Is: philosophy in translation

Juries in Ireland: laypersons and the law in the long nineteenth century

Oscar Wilde and contemporary Irish drama: learning to be Oscar’s contemporary

Beginning at the end: decadence, modernism and postcolonial poetry

Estranging Ireland: The underground self of the Irish free state in Joseph O’Neill’s Land Under England

The building site in eighteenth-century Ireland

W.B Yeats’s Robartes-Aherne writings: featuring the making of his “stories of Michael Robartes and his friends”

Being New York, being Irish: reflections on twenty-five years of Irish America and New York University’s Glucksman Ireland House

“The Agitator’s Wife” (1894): the story behind James Connolly’s lost play?

Emer Martin and multimodal family dysfunction: More Bread or I’ll Appear (1999)

Dublin City Council and the 1916 Rising

Powering the nation: images of the Shannon scheme and electricity in Ireland

An underground theatre: major playwrights in the Irish language 1930–1980

“Who ran that war?”: David A Charters, Whose Mission, Whose Orders? British civil-military command and control in Northern Ireland, 1968–1974

“Celticism, ballad transmission, and the schizoid voice: Ossianic fragments in Owenson, Yeats, Joyce, and Beckett”

Illuminated addresses, national identity and Irish sport, 1880–1901

A history of Irish working-class writing