Mediterranean Historical Review

An early Ottoman history: the Oxford Anonymous Chronicle (Bodleian Library, Ms Marsh 313), Translated Texts for Byzantinists Volume 5, historical introduction, translation and commentary by Dimitri J. Kastritsis

The Sultan’s renegades: Christian-European converts to Islam and the making of the Ottoman elite, 1575–1610, by Tobias P. Graf

Three Venetian ships in the Armada

Diaspora and nostalgia: travelling Jewish tales in the Mediterranean

The 1538 peace treaty and conflict over the control of the frontier in Northern Morocco

Margaret, Queen of Sicily, by Jacqueline Alio

Farewell to co-editor Irad Malkin

The intimacy of power: gender and US naval visits to Haifa port 1979–2001

[A deplorable and detailed narration of the events, how the Turks began their offensive with mighty forces against the splendid kingdom and island of Cyprus and violently conquered its capital Nicosia]

Guerra Civil y franquismo: una perspectiva internacional, edited by Raanan Rein and Joan Maria Thomas

Rabbis on refugees: theological responses to the treatment of converso migrants in sixteenth-century Candia

Caring for the living soul: emotions, medicine and penance in the late medieval Mediterranean, by Naama Cohen-Hanegbi

Economic networks in the eastern Mediterranean: Kâtiboğlu Mehmed Efendi of Izmir and his Christian partner

Knowing bodies, passionate souls: sense perceptions in Byzantium, edited by Susan Ashbrook Harvey and Margaret Mullett

Publications Received

Empire and ideology in the Graeco-Roman world, by Benjamin Isaac

The sea in history: the medieval world / La mer dans l’histoire: Le Moyen Âge

Mapping ancient gods: naming and embodiment beyond “anthropomorphism”. A survey of the field in echo to the books of M.S. Smith and R. Parker

Viewing Greece: cultural and political agency in the medieval and early modern Mediterranean, edited by Sharon Gerstel

Let’s meet at Baiae: a journey of 2000 years to the edge of Europe

Gordāfarid, Penthesilea and Athena: the identification of a Greek motif in Ferdowsī’s Šāh-nāma and its possible association with Hellenistic art in the East