CONTEMPORARY THEATRE REVIEW

Celebrating Jewish-Moroccan Theatre in Israel: Production, Repertoire, and Reception

Beyond the Antitheatrical Prejudice: Political Oratory and the Performance of Legitimacy

A Working-Class Theatre: Anecdote and the Amateur Aesthetic in Live Theatre Newcastle’s Live: Witness (2013)

Science Fiction and the Theatre of Alistair McDowall

Translating the Inauthentic: Martin McDonagh’s Hiberno-English in French Translation

The Scene of Foreplay: Theater, Labor and Leisure in 1960s New York

Abstracts

Abstracts

‘Too Big for Its Boots’?: Precarity on the Adelaide Fringe

Rediscovering Roswitha’s Sapientia with Object Theatre

Taking the Ferry: Performing Queasy Affects through Irish Abortion Travel in Thorny Island and My Name Is Saoirse

Rape on the Contemporary Stage

Posthuman Spiritualities in Contemporary Performance: Politics, Ecologies and Perceptions

Rantin and Raving: Kieran Hurley’s Aesthetic Communities

Editorial

Narratives in Black British Dance: Embodied Practices

‘Feminism in Postdramatic Theatre: An Oblique Approach’

Fifty Playwrights on their Craft

Notes on Contributors

Backpages 29.4

Left to ‘Biyaasi Number’: Cultural Activism and Political Street Theatre in Delhi

Between Evidence and Representation: A New Methodological Approach to the History of Performance Art and Its Documentation

Nomadic Theatre: Mobilising Theory and Practice on the European Stage

Entangling the British Muslim Woman: Satirizing Whiteness and Punking the State in Afsaneh Gray’s Octopus

Freedom to Engage: Participatory Art in Central and Eastern Europe

Abstracts

The Routledge Companion to Adaptation edited by Dennis Cutchins, Katja Krebs, and Eckart Voigts

Immersive Theatre in Austerity Britain: Les Enfants Terribles’ Riot in the Saatchi Gallery and the Liquidation of differencEngine

Black Performance on the Outskirts of the Left: A History of the Impossible

Abstracts

Gendering Welfare: Acts of Reproductive Labour in Applied Performance Practice

Notes on Contributors

Editorial 29.4

On Coal, Labour, Collaboration, and UNION: An Interview with Richard Hancock and Traci Kelly

Re-Readings

Representations of the Degenerate Condition from Source to Stage: Disability and Morality in Franz Schreker’s Die Gezeichneten

Learning Disability, Thought, and Theatre

Backpages 29.1

Backpages 29.3

Re-Readings

Performing the Intercultural City

Re-Readings

Performing Statelessness in Europe

One Hundred Years of Futurism: Aesthetics, Politics, and Performance edited by

Choreomania: Dance and Disorder

Backpages 29.2

Three Women in One Frame: Pam Gems, Penny Cherns, and Christina of Sweden