Baking the Bread
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1603038
The Multiple Being: Multispecies Ethnographic Filmmaking in Arnhem Land, Australia
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1671747
Applied Visual Anthropology in the Progressive Era: The Influence of Lewis Hine’s Child Labor Photographs
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1637670
How to Take the Floor as a Couple: Turn-Taking in Lindy Hop Jam Circles
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1671750
Engaging Northern Indigenous Children through Drawing for Community Health Research: A Picture of the Social Impact of H. pylori Infection in Fort McPherson in the Northwest Territories, Canada
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1603036
Aural Anthropology, a Way of Listening
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1603037
Anthropological vs. Orientalist Representation: Issues with the National Geographic Channel
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1671751
Participant-Led Photographs and Repositioning el Mujeriego or “the Hustler” in Costa Rica’s Caribbean Littoral
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1637689
Filming Fore, Shooting Scientists: Medical Research, Experimental Filmmaking, and Documentary Cinema
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1603032
Sara Jahan Hamara: Indian Films and Their Portrayal of Foreign Destinations
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1637686
Exposing Diversity: A Methodological Approach to the Use of Video Narratives in Interdisciplinary Practices
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1568114
Postcards from Africa
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1637692
Photographic Complementarity, and the Story of Abel Pavon
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1671752
Visual Histories of South Asia
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2018.1521201
Japan in Early Photographs: The Aimé Humbert Collection at the Museum of Ethnography, Neuchâtel
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1603040
Ecstasy, Choreography and Re-Enactment: Aesthetic and Political Dimensions of Filming States of Trance and Spirit Possession in Postwar Southern Italy
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1568112
In the Field
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2018.1521199
Gender, Photography and Visual Participatory Methods: An Ethnographic Research Project between Colombia and France
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1568111
“That Is Film, Not Simply Footage Which Lacks a Soul”—Jorge Prelorán and Ethnographic Cinema
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1671748
Photo History by Numbers: Charting the Rise and Fall of Commercial Photography in Cameroon
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1637683
Performing Visual Empowerment: Norwegian Youth Culture, Languages, and Cross-Sense Communication
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1603035
The Camera and the Anthropologist: Reflections on Photographic Agency
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1568115
When Workers Toil Unseen, Artists Intervene: On the In/visibility of Labor in the Arabian Gulf States
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1637672
The Reluctant Farmer: The Role of Multimedia in America’s 20th-Century Agricultural Transformation
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1637693
Experimental Beijing
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1568117
Cameras at Work: Dusty Lenses and Processed Videos in the Quarries of Hyderabad
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1637673
Gnawa: Music and Beyond
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1603039
Visual Development of Chinese Children, Studied with Eye-Tracking Technology
来源期刊:Visual AnthropologyDOI:10.1080/08949468.2019.1603033