Flooded Futures: The Representation of the Anthropocene in Twenty-First-Century British Flood Fictions
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1570911
“PsyOps Works Best When You Mean It”: Literary Manipulation in Phil Klay’s Redeployment
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1520687
The Sixth Borough: Metaphorizations of the Water in New York City’s Comprehensive Waterfront Plan Vision 2020 and Foer’s “The Sixth Borough”
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1556203
The poetic language of David Foster Wallace
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1441121
Landscape and Identity: Utopian/Dystopian Cumbria in Sarah Hall’s The Carhullan Army
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1479242
“Death Itself Shall Be Deathless”: Transrationalism and Eternal Death in Don DeLillo’s Zero K
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1553845
Alchemy in contemporary fiction: Old texts, new psychologies
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1470081
The gothic coast: Boundaries, belonging, and coastal community in contemporary British fiction
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1524744
Divided America in Elizabeth Strout’s the Burgess Boys
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1601611
Ahmed Khaled Towfik: Days of Rage and Horror in Arabic Science Fiction
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1494130
Family Caregivers, AIDS Narratives, and the Semiotics of the Bedside in Colm Tóibín’s The Blackwater Lightship
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1538100
“Remembering Is the Essence of What I Am”: Thomas Pynchon and the Politics of Nostalgia
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1601613
One More Time with Feeling: Repetition, Contingency, and Sincerity in Ben Lerner’s 10:04
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1596875
Reading Redaction: Symptomatic Metadata, Erasure Poetry, and Mark Blacklock’s I’m Jack
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1568960
Remapping the Castaway Novel: Spatial Adaptation and Identity Formation in Umberto Eco’s the Island of the Day Before
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1625858
Kazuo Ishiguro and the Remains of Empire
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1487827
The Anxiety of Authorship: Zadie Smith’s On Beauty, Fields, and Professional Jurisdiction
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1638748
Freedom in Confinement: Women’s Prison Narratives and the Politics of Possibility
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1511517
A Defense of the French Feminists: Countering Spivak’s Arguments in “French Feminism in an International Frame”
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1526774
Sex and Sovereignty: Angela Carter’s Medieval Toyshop
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1580671
Irony, Narcissism, and Affect in David Foster Wallace’s Infinite Jest
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1596876
Counter-Narrative Ethics: Don DeLillo’s Post-9/11 Novels
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1631746
Mind inside matter: The physics of interface in William Gibson’s The Peripheral
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1459455
Sexual Violence and Cultural Crime in the Country Noir Fiction of Bonnie Jo Campbell
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1612838
Re/Examining Gender Matters in Iris Murdoch´s The Black Prince
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1616667
“You Were a Witness Against Yourself”: McCarthy’s Judge as Chamberlain’s Interlocutor in Blood Meridian
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1483319
The Photographer-Flâneur as Facilitator of Urban Connectivity in John Edgar Wideman’s Two Cities
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1527283
“Unofficial Englishmen”: Landscape, Mobility, and Identity in Julian Barnes’s Arthur & George and Its TV Adaptation
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1582473
The Privileged Perspectives of Queen Victoria Eugenia in Spanish Historical Fiction of the Twenty-First Century
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1627282
Ripley’s Transgression, Highsmith’s Art
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1608151
Wanted Dead or Alive: Bare Life, Non-Grievability and Spectrality in Ibrahim Nasrallah’s Prairies of Fever
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1631745
Martin Amis’s Money and the crisis of Fordism
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1459457
Plotting the Unspeakable in Khadra’s Wolf Dreams
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1608149
Ali Smith and the Art of the Epigraph
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1571475
History, Hunger, and the Construction of an Irish Homeland: Emma Donoghue’s The Wonder and Mary Gordon’s Pearl
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1483318
Interrogating New York City: The Detective as Flâneur in Thomas Pynchon’s Bleeding Edge
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1570912
Neurocognitive Patterning and the Creation of Fantasy: Neil Gaiman’s Use of Kipling and Calvino in The Ocean at the End of the Lane
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1580672
“Emissaries of Death and Destruction”: Reading the Child-as-Killer in We Need to Talk about Kevin and Sharp Objects
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1608150
Emotion in ethics, rhetoric, and the creative process: The tragedy of Coetzee’s woman warrior
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1479241
“A World Complete Without Me”: Writing Cinema in Paul Auster’s The Book of Illusions
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1601067
New Sincerity, New Worldliness: The Post-9/11 Fiction of Don DeLillo and David Foster Wallace
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1546665
Where Racial Meets Neuro Diversity: Pondering “Who’s We” in Colson Whitehead’s The Intuitionist
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1531819
Non/human Appetites and the Perils of Consumption in Under the Skin
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1487380
The Birth of the Reader: Inside the Final Edits to Infinite Jest
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1638749
“You’re going to make us all happy”: Orientalist appropriations of the Berber woman in Richard Powers’s Generosity
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1444579
Allegories of “Postracial” Capitalism: Colson Whitehead and the Materials of Twenty-First-Century Black Cultural Authorship
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1601612
Exploring Brasilidade through the Postcolonial Crime Fiction Tradition
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2019.1635076
“Reckless People”: Negotiations of identity in Richard Ford’s Rock Springs
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1470079
William Styron, Hiram Haydn, and the Ending of The Long March
来源期刊:Critique: Studies in Contemporary FictionDOI:10.1080/00111619.2018.1532392