Going to the Cinema as a Czech: Preferences and Practices of Czech Cinemagoers in the Occupied City of Brno, 1939–1945
来源期刊:Film History: An International JournalDOI:10.2979/FILMHISTORY.31.1.0027
Nature and the Wonders of the Moving Image: John Ott’s Postwar Popular Science Filmmaking
来源期刊:Film History: An International JournalDOI:10.2979/filmhistory.31.3.02
Forging an Alternative Cinema: Sally Dixon, the Film Section, and the Museum-Based Media Center
来源期刊:Film History: An International JournalDOI:10.2979/filmhistory.31.2.06
Old Corporate Films and Former Factory Workers: Film Reception as Social Memory
来源期刊:Film History: An International JournalDOI:10.2979/FILMHISTORY.31.1.0102
American History at the Foreign Office: Exporting the Silent Epic Western
来源期刊:Film History: An International JournalDOI:10.2979/filmhistory.31.2.02
What Is This Thing? Framing and Unframing the Science-Fiction Film
来源期刊:Film History: An International JournalDOI:10.2979/FILMHISTORY.31.1.0056
Bedsheet Cinema: The Materiality of the Segregating Screen
来源期刊:Film History: An International JournalDOI:10.2979/filmhistory.31.3.01
When New Waves Crash: The Friction of Transnational Film Distribution in Brazil, 1931–1959
来源期刊:Film History: An International JournalDOI:10.2979/filmhistory.31.2.04
A Gray Zone of Noncompromise: Sponsored Film, the American Film Center, and One Tenth of Our Nation
来源期刊:Film History: An International JournalDOI:10.2979/filmhistory.31.3.05
Censorship, Scripts, Suppression, and Selection: Twentieth Century-Fox and the Story of the Berlin Airlift in The Big Lift and Es begann mit einem Kuß (It Started with a Kiss), 1950–1953
来源期刊:Film History: An International JournalDOI:10.2979/FILMHISTORY.31.3.04
Filmland’s Forgotten Man: Paul Rotha and Reputation Studies
来源期刊:Film History: An International JournalDOI:10.2979/filmhistory.31.3.03