What is Musical Meaning? Theorizing Music as Performative Utterance
来源期刊:Music Theory OnlineDOI:10.30535/MTO.25.1.2
Making “Anti-Music”: Divergent Interactional Strategies in the Miles Davis Quintet’s The Complete Live at the Plugged Nickel 1965
来源期刊:Music Theory OnlineDOI:10.30535/MTO.25.3.3
Plateau Loops and Hybrid Tonics in Recent Pop Music
来源期刊:Music Theory OnlineDOI:10.30535/MTO.25.4.3
Lyric, Rhythm, and Non-alignment in the Second Verse of Kendrick Lamar’s “Momma”
来源期刊:Music Theory OnlineDOI:10.30535/MTO.25.1.10
Music Theory as Social Justice: Pedagogical Applications of Kendrick Lamar’s To Pimp A Butterfly
来源期刊:Music Theory OnlineDOI:10.30535/MTO.25.1.8
Challenging Some Misconceptions about the Règle de l’octave
来源期刊:Music Theory OnlineDOI:10.30535/MTO.25.4.5
Chord Proximity, Parsimony, and Analysis with Filtered Point-Symmetry
来源期刊:Music Theory OnlineDOI:10.30535/MTO.25.2.3
Analyzing Modular Smoothness in Video Game Music
来源期刊:Music Theory OnlineDOI:10.30535/MTO.25.3.2
Extreme Hardcore Punk and the Analytical Challenges of Rhythm, Riffs, and Timbre in Punk Music
来源期刊:Music Theory OnlineDOI:10.30535/MTO.25.1.5
Beyond Mere Novelty: Timbre as Primary Structural Marker in Ravel’s Piano Concerto in G Major
来源期刊:Music Theory OnlineDOI:10.30535/MTO.25.4.1
Uniform Information Density in Music
来源期刊:Music Theory OnlineDOI:10.30535/MTO.25.2.5
Writing Wrong Notes: Chromatic Clashes in the Music of Tune-Yards
来源期刊:Music Theory OnlineDOI:10.30535/MTO.25.3.1
Review-essay of Kacey Link and Kristin Wendland, Tracing Tangueros: Argentine Tango Instrumental Music (Oxford, 2016)
来源期刊:Music Theory OnlineDOI:10.30535/MTO.25.3.5
Three Multifaceted Compositions by Wayne Shorter: “E.S.P.,” “Infant Eyes,” and “Virgo”
来源期刊:Music Theory OnlineDOI:10.30535/MTO.25.4.2
Conference Report: “Come Together: Fifty Years of Abbey Road”
来源期刊:Music Theory OnlineDOI:10.30535/mto.25.4.7