Mixed Into Nothingness: Moishe Nadir and the Poetics of Teshuvah
来源期刊:Modernism/modernityDOI:10.1353/MOD.2019.0006
Another Nature Speaks to the Camera: Natural History and Film Theory
来源期刊:Modernism/modernityDOI:10.1353/MOD.2019.0030
Red Modernism: American Poetry and the Spirit of Communism by Mark Steven (review)
来源期刊:Modernism/modernityDOI:10.1353/MOD.2019.0025
Unrarified Air: Alfred Stieglitz and the Modernism of Equivalence
来源期刊:Modernism/modernityDOI:10.1353/MOD.2019.0008
The New Decadence
来源期刊:Modernism/modernityDOI:10.1353/MOD.2019.0009
Martín Fierro, Argentine Nationalism, and the Return to Order
来源期刊:Modernism/modernityDOI:10.1353/MOD.2019.0005
Charles Olson and American Modernism: The Practice of the Self by Mark Byers (review)
来源期刊:Modernism/modernityDOI:10.1353/MOD.2019.0024
What the War is Doing with Us: W. H. Auden, Total War, and War Literature
来源期刊:Modernism/modernityDOI:10.1353/MOD.2019.0033
The Making of Men and Women: Gertrude Stein, Hugo Münsterberg, and the Discourse of Work
来源期刊:Modernism/modernityDOI:10.1353/MOD.2019.0002
“Le Revenant”: Baudelaire’s Afterlife in Wide Sargasso Sea
来源期刊:Modernism/modernityDOI:10.1353/mod.2020.0058