AMERICAN LITERARY HISTORY

The Difference latinidad Makes

Katherine Anne Porter’s Familiar Countries

The Arts of War and Deception

Poetry and the War(s)

Gatekeeping Stories of Dissent and Mobility

Occupy Climate: Social Movement-Building in Literature, Politics, and the Arts

Multilingualism, Multiculturalism, and Migration: A Critical Assessment

Imagination and Indigenous Sovereignty in the Trumpian Era

Visionary Modernism: A Witnessing

Transcendentalism Without Escape

Both/And: A Response to Winfried Fluck

Revolutions of Taste: Mon Odyssée and the Aesthetic Inheritance of Saint-Domingue

Clannishness: Jewett, Zitkala-Ša, and the Secularization of Kinship

Moving Futures

Critique, Tweaked

Network Unavailable: Informal Populations and Literary Form

Safeguarding the Past: “Presentist” Historicism

Of Hammers, Hurricanes, and History: Oscar Casares’s Brownsville, Postracial Affect, and the Latina/o Studies Field-Imaginary

The Weird, the Ontological, and the Normal

Fugitive Slave, Fugitive Novelist: The Narrative of James Williams (1838)

Not Against Structure, but in Search of Better Structures: A Response to Winfried Fluck

Our Drinking Problem: Recovery and Bad Aesthetics

A Nation of Immigrants?

Emerson Attuning: Issues in Attachment and Intersubjectivity

“We Gotta Get Out of this Place”: Literary Criticism in the Academic Workplace

Cormac McCarthy, Marilynne Robinson, and the Responsibility to Protect

Illuminating the Anthropocene: Ecopoetic Explorers at the Edge of the Naturecultures Abyss

Contemporary Poetry and Capitalism

The Unspeakable Speculative, Spoken

A Reply

The Ends of Human Rights in US Literary Studies

Race in the Crucible of Literary Debate: A Response to Winfried Fluck

Migrants at the Center: Expulsion Regimes, Self-Representation, and Translocal Lives

Our Town, the MacDowell Colony, and the Art of Civic Mediation